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Issue 52 | April 2020

Articles

Place in the Sun – Moshe Shapira

Tamar HaYardeni

Autodidact Moshe Shapira emerged from Jerusalem’s ultra-Orthodox Me’a She’arim as an expert in both astronomy and sundials. Two of his sun clocks can still be seen in Jerusalem, but it was the one he refused to make that sent him into self-

Columns

A Day at the Museum | L. A. Mayer Museum for Islamic Art

Amit Assis

The precious clocks in Jerusalem’s L. A. Mayer Museum for Islamic Art chronicle Europe’s fascination with timekeeping, making it portable, beautiful, fanciful, even political – but above all, precise  Amit Assis L. A. Mayer Mus

From the Archives | Light-Years Ahead

Franziska Ehmer

Eccentric amateur scientist Elazar Mei-Zahav was way ahead of his time. He died unrecognized, but his ideas live on Franziska Ehmer “Don’t just throw away this empty box!” This pithy appeal, intended as part of an advertising ca

Book Review | Revolution in Paradise

Sara Jo Ben-Zvi

Yehuda Moraly’s examination of French cinema under German occupation reveals an uncomfortable subtext its creators have tried to erase Sara Jo Ben-Zvi Revolution in Paradise: Veiled Representations of Jewish Characters in the C

Film review | An Officer and a Spy

Sara Jo Ben-Zvi

The hero of Roman Polanski’s new film isn’t Dreyfus, or even Zola, but the French officer whose pursuit of justice led to the Jew’s release Sara Jo Ben-Zvi An Officer and a Spy Roman Polanski132 minutesFrench with English subt

Portrait of a People | A Critical Eye

Naomi Samuel

Naomi Samuel Portrait of Émile Zola Paris, 1868Oil on canvas146.5 x 114 cm Musée d’Orsay, Paris Édouar